How three women are influencing data journalism and what you can learn from them

This article was originally published on the Data Journalism Awards Medium Publication managed by the Global Editors Network. You can find the original version right here.

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Stephanie Sy of Thinking Machines (Philippines), Yolanda Ma of Data Journalism China and Esra Dogramaci of Deutsche Welle, formerly Al Jazeera (Germany), new members of the Data Journalism Awards jury, talk innovation, data journalism in Asia and the Middle East, and women in news.

left to right: Yolanda Ma (Data Journalism China), Esra Dogramaci (Deutsche Welle, formerly BBC and Al Jazeera), and Stephanie Sy (Thinking Machines) join DJA Jury

 

We welcomed three new members to the Data Journalism Awards jury last year (pictured above). They are all women, strong-willed and inspiring women, and they represent two regions that are often overlooked in the world of data journalism: Asia and the Middle East.

What was your first project in data journalism or interactive news and what memory do you keep from it?

Esra Dogramaci: In 2012, Invisible Children launched a campaign to seek out Lord’s Resistance Army(LRA) leader Joseph Kony and highlight the exploitation of child soldiers. Then, at Al Jazeera, we wanted to see what people in North Uganda, who lived in one of the areas who were affected by the LRA actually had to say about it. They would ‘speak to tweet’ and we would map their reactions on Ushahidi using a Google Fusion table in the background.

 
Uganda Speaks by Al Jazeera

 

Although Al Jazeera had started doing this kind of projects back in 2009 during the war on Gaza (the experiment’s page of the Al Jazeera Lab website has now disappeared but can be viewed through WebArchive.org), it picked up steam during Egypt’s 2011 Arab Spring where, due to lack of broadcast media coverage, protesters were using social media to bring attention to what was happening.

Interactive story by Thinking Machines

 

Stephanie Sy: Our first data journalism project as a team at Thinking Machines was a series of interactive stories on traffic accidents in Metro Manila. We cleaned and analysed a set of Excel sheets of 90,000 road accidents spanning 10 years.

It was the first project we worked on as a mixed team of journalists, designers, and data scientists, and the first time we tried to build something from scratch with d3.js! I worked on the d3 charts, and remember being in utter despair at how hard it was to get the interactive transitions to render nicely across different browser types. It was surprisingly well received by the local civic community, and that positive feedback emboldened us to keep working.

 
Connected China, Thomson Reuters

 

Yolanda Ma: One of my first projects was Connected China for Thomson Reuters, which tracked and visualised the people, institutions and relationships that form China’s elite power structure (learn more about it here).

This project taught me the importance of facts and every piece of data in it (thousands, if not millions in total) went through a rigid fact-checking process (by human beings, not machines, unfortunately). I learned by doing that facts are the bones of data journalism, not fancy visualisations, even though this project turned out to be fancy and cool, which is good too.

 

Now, what was the latest project you worked on and how do the two compare?

 

ED: Towards the end of last year, I taught a data journalism module to City University London Master’s students who were able to pull together their own data visualisation projects in the space of an hour. The biggest difference is how vastly the interfaces have improved and how quick and intuitive the designs and interactive softwares are now. There are a lot more companies switched on to storytelling beyond TV or text and that knowledge combined, how do you stand out in the world of online news?

Complementary to that Al Jazeera was always a front runner because they were willing to take risks and try something new when no one else was. In the newsrooms I’ve worked at or see since, there is still a general aversion to risk taking in preference of safety — though everyone knows that to survive and thrive in this digital media landscape, its risk taking, innovation that is going push those boundaries and really get you places.

SS: Our latest related data story is a piece we put together visualising traffic jams across Metro Manila during the holiday rush season. This time we were looking at gigabytes of Waze jams data that we accessed through the Waze API. It definitely grew out of our early work in transit data stories, but reflects a huge amount on growth in our ability to handle complex data, and understanding of what appeals to our audience.

One big piece of learning we got from this is that our audience in the Philippines mainly interacts with the news through mobile phones and via Facebook, so complex d3 interactives don’t work for them. What we do now is to build gifs on top of the interactives, which we then share on Facebook. You can see an example of that in the linked story. That gets us a tremendous amount of reach, as we’re able to communicate complex results in a format that’s friendly for our audience.

YM: I’ve been doing data journalism training mostly in the past few years and helping others do their data projects, so nothing comparable really. The latest project I worked on is this Data Journalism MOOC with HKU in partnership with Google News Lab. It is tailored-made for practitioners in Asia, and it’s re-starting again soon (begins March 6), so go on and register before it’s too late!

 

What excites you about the future of data journalism and interactive news?

 

ED: The ability to tell stories in a cleaner, more engaging way. Literally everything can be turned into a story just by interrogating the data, being curious and asking questions. The digital news world has always been driven by data and it’s exciting to see how “traditional” journalism is embracing this more. I love this example from Berliner Morgenpost where they charted this bus line in Berlin, combined with a dash cam comparing various data such as demographics, voting. Its an ingenious way of taking complex data and breaking it into a meaningful, engaging way rather than pie charts.

M29 from Berliner Morgenpost

 

SS: There are tremendous amounts of data being generated in this digital age, and I think data journalism is a very natural evolution of the field. Investigative journalists should be able to use computer science skills to find their way through messy datasets and big data. It’s absolutely reasonable to expect that a news organization might get a 1 terabyte dump of files from a source.

YM: It excites me because it is the future. We live in the age of data, and the inevitable increasing amount of data available means there is growingly huge potential for data journalism. People’s news consumption is also changing and I believe personalisation is one of the key characteristics for the new generation of consumers, which means interactive news — interactive in many different ways — will thrive.

 

How are Asian and Middle Eastern media organisations (depending on your experience) doing in terms of data journalism and interactive news compared to the rest of the world?

 

ED: I think Al Jazeera has always been a pioneer in this. They have a great interactive team that drew together people from various disciplines within the organisation — coders, video people, designers, journalists — before everyone else was doing it and they’ve been able to shed light on stories that wouldn’t usually be picked up on by mainstream media radars.

Example that illustrates my point: The project “Broken homes, a record year of home demolitions in occupied East Jerusalem” by Al Jazeera

“Broken homes, a record year of home demolitions in occupied East Jerusalem” by Al Jazeera

 

SS: We have a few media organisations like the Philippine Center for Investigative Journalism, Rappler, and Inquirer who have been integrating data analysis into their reporting, but there isn’t anyone regularly producing complex data journalism pieces.

Our key problem is the lack of useful datasets. A huge amount of work goes into acquiring, cleaning, and triple checking the raw data. Analysis is “garbage in, garbage out” and we can’t create good data journalism without the presence of good data. This is where the European and North American media organisations have an edge. Their governments and civic society organisations follow open data standards, and citizens can request data [via FOIA]! The Philippine government has been making serious progress towards more open data sharing, and I hope they’re able to sustain that commitment.

Example that illustrates my point: PCIJ’s Money Politics project is a great example of an organisation doing the data janitorial work of acquiring and validating hard-to-find data. During our last presidential elections in 2015, GMA News Network and Rappler both created hugely popular election tracking live data stories.

PCIJ’s Money Politics

 

YM: Media organisations in Asia are catching up on data journalism and interactive news. There are some challenges of course, for example, lack of data in less developped countries, lack of skills and talents (and limited training opportunities), and even poor infrastructure or unstable internet especially in rural areas that would limit the presentation of news stories. Despite the difficulties, we do see good works emerging, though not necessarily in English. Check out some of the stories from the last GIJN’s Investigative Journalism Conference held in Nepal and you’ll get an idea.

Example that illustrates my point: This Caixin Media data story analysed and visualised the property market in China for the past few years.

 

Another New Normal, Caixin Media

 

What view do you have on the role of women in the world of news today? How is it being a woman in your respective work environment? Do you feel it makes a difference? If so, which one and why?

 

ED: Women are underrepresented not just in news coverage but in leadership positions too. I have to admit though that being at Deutsche Welle, I see a lot more women in senior management and it feels like a much more egalitarian working environment. However looking at my overall experience as a woman in news, you do face a lot of sexism and prejudice. Every woman I know has a story to tell and when the latest story about Uber came out a lot of my female colleagues around me were nodding their heads.

What got me through challenging times is having a fantastic network of female role models and mentors who are there to support you. That was one piece of advice I gave to prior teams, get a mentor. A lot of women feel isolated or feel the way they are treated is normal but it’s not. Women should also be aware that there is a real risk you will be punished if you speak up, challenge the status quo and tow the party line. If this happens, it’s an environment or team you probably shouldn’t be in anyway.

SS: It’s alarming to see parties around the world trying to stifle the voices of anyone who doesn’t belong and calling any news that doesn’t flatter them as “fake news.”. It’s important for us to speak up as women, and to practice intersectionality when it comes to other marginalised communities. As people who work with data, we can see past the aggregates and look at the complex messy truth. We must be able to communicate that complexity in order for our work to make a difference.

YM: Most of the data journalism teams in China are led by woman, and I think they are doing really well 🙂

 

What do you think makes a great data journalism project? What will you be looking for when marking projects for the Data Journalism Awards this year?

 

ED: Simplicity. It’s easy to get lost in data and try to do too much, but it’s often about taking something complex and making it accessible for a wider audience, getting them to think about something they haven’t or perhaps consider in a different way. I’ll be looking for the why — why does this matter, does this story or project make a dent in the universe?

After all, isn’t that what telling stories is about? The obvious thing that comes through is passion. It’s also something obvious but you can tell when a person or team has cared and really invested into the work versus projects being rolled off a conveyor belt.

SS: A great data journalism project involves three things: novel data, clever analytical methods, and great communication through the project’s medium of choice. I’m hoping to see a wide variety of mediums this year!

Will someone be submitting an audio data journalism project? With all the very exciting advances in the field of artificial intelligence this year, I’m also hoping to see projects that incorporate machine learning, and artificial intelligence.

YM: I believe data journalism is after all journalism — it has to reveal truth and tell stories, based or driven by data. I’ll be looking for stories that do make an impact in one way or another.

 

If you had one piece of advice for people applying for the Data Journalism Awards competition, what would it be?

 

ED: Don’t be intimidated by the competition or past award winners. Focus on what you do best. I say this especially for those applying for the first time, I see a lot of hesitation and negative self talk of ‘I’m not good enough’ etc. In every experience there’s something to learn, so don’t hesitate.

SS: Don’t forget to tell a story! With data science methods, it’s easy to get lost in fancy math and lose track of the narrative.

YM: Tell us a bit about the story behind your story — say, we may not know how hard it might be to get certain data in your country.

 

What was the best piece of advice you were ever given in your years of experience in the media industry?

 

ED: Take every opportunity. That’s related to a quote that has been coming up over and over again for the past week or so, “success is when preparation meets opportunity.”

SS: One of my best former bosses told me to imagine that a hungover, unhappy man with a million meetings that day was the only reader of my work. He haunts me to this day.

YM: I started my career with the ambition (like many idealistic young people) to change China. My first (and second) boss Reg Chua once said to me, don’t worry about changing China but focus on making small changes and work with a long-term vision. Sounds cliche.

He said that to me in 2012. The next year, together with two other friends I started DJChina.org, which started in 2013 as a small blog and now grown to be one of the best educational platforms for data journalism practitioners in China. The year after, in 2014, Open Data China was launched (using the domain name I registered a few years back), and indicated a bottom-up movement to push for more open data, which was incorporated into national policy within a year. So I guess all these proved that Reg was right, and it could be applied to anywhere, or anything. Think big, act small, one story (or project) at a time, and changes will happen.

 


left to right: Yolanda Ma (Data Journalism China), Esra Dogramaci (Deutsche Welle, formerly BBC and Al Jazeera), and Stephanie Sy (Thinking Machines)

 

Stephanie Sy is the founder of Thinking Machines, a data science and data engineering team based in the Philippines. She brings to the jury her expertise in data science, engineering and storytelling.

Yolanda Ma is the co-founder of Data Journalism China, one of the best educational platforms for data journalism practitioners in China. Not only representing the biggest country in Asia, she also has experience teaching data skills to journalists and a great knowledge of data journalism from her region.

Esra Dogramaci has now joined Deutsche Welle and formerly worked with the BBC, Al Jazeera in Qatar and Turkey, as well as the UN Headquarters and UNICEF. She brings to the DJA jury significant experience in digital transformation across news and current affairs, particularly in social video and off platform growth and development.

 


The Data Journalism Awards are the first international awards recognising outstanding work in the field of data journalism worldwide. Started in 2012, the competition is organised by the Global Editors Network, with support from the Google News Lab, the John S. and James L. Knight Foundation, and in partnership with Chartbeat. More info about cash prizes, categories and more, can be found on the DJA 2017 website.


marianne-bouchart

Marianne Bouchart is the founder and director of HEI-DA, a nonprofit organisation promoting news innovation, the future of data journalism and open data. She runs data journalism programmes in various regions around the world as well as HEI-DA’s Sensor Journalism Toolkit project and manages the Data Journalism Awards competition.

Before launching HEI-DA, Marianne spent 10 years in London where she worked as a web producer, data journalism and graphics editor for Bloomberg News, amongst others. She created the Data Journalism Blog in 2011 and gives lectures at journalism schools, in the UK and in France.

Holding the powerful accountable, using data

This article was originally published on the Data Journalism Awards Medium Publication managed by the Global Editors Network. You can find the original version right here.

 


From left to right: screenshots of Fact Check: Trump And Clinton Debate For The First Time (NPR, USA), Database of Assets of Serbian Politicians (KRIK, Serbia), and Ctrl+X (ABRAJI, Brazil)

 

It is referred to as one of the main goals of modern journalism, and yet, in many parts of the world, holding the powerful accountable causes a great amount of threats and challenges.

How do you go about investigating corruption and finding the data that your government or powerful individuals want to keep hidden? What issues do most data journalists face when working on such investigations and how do they tackle them?

As season 7 of the Data Journalism Awards competition starts this fall, we’ve set up a group discussion on Slack last week and gathered Amita Kelly of NPR (USA), Jelena Vasić of KRIK (Serbia) and Tiago Mali of ABRAJI (Brazil) to discuss the challenges of holding the powerful accountable using data. The three of them gave us great insights on the state of data journalism across Eastern Europe and the Americas.

 


From left to right: Amita Kelly of NPR (USA), Tiago Mali of ABRAJI (Brazil) and Jelena Vasić of KRIK (Serbia)

 

In Brazil, the political and judiciary systems seem to go hand-in-hand against freedom of speech

 

“There is a perception, amongst the politicians and the judiciary system, that they don’t have to be accountable,” said Tiago Mali, project coordinator at The Brazilian Association of Investigative Journalism (ABRAJI) in Brazil.

“The checks and balances are too weak and the judges are often close to the politicians. So many times the first instance judges favour censorship against the media to preserve the politicians. They help each other against freedom of speech.”

In September 2017, the mayor of Betim, a city in Minas Gerais, sued a website that published an investigation against him, Mali explained. The journalist who worked on the story also received threatening calls.

The team at ABRAJI realised that part of the problem was that the judiciary system was not held accountable. They started to expose judges, lawsuits and decisions that aimed at censoring the media.

“It’s our way to increase society’s pressure on them and to shed a light on their misbehaviour,” Mali said.

“We haven’t been directly threatened here in ABRAJI, but we report on cases of many journalists that are being constantly threatened.”

 

The project Ctrl+X is a database that gathers lawsuits in which people, politicians or companies try to remove content from the internet and hide information from Brazilian audience.

 

A Brazilian project denounces politicians trying to remove information from the public eye

 

ABRAJI won a Data Journalism Awards prize in June 2017 for their project Ctrl+X which scraped thousands of lawsuits and catalogued close to 2500 filed by Brazilian politicians who were trying to hide information from the public eye.

“We started because we realised there were too many cases of politicians pulling their weight to silence journalists in courts. We knew of former presidents, governors, and mayors using the judiciary system to prevent the publication of news about them they were not too comfortable with— a practice that we assumed had died with the dictatorship in the 80’s,” Tiago Mali said.

“We didn’t know then how many cases they were amounting to, so we did what every good journalist should do in such a situation: we started the count ourselves.”

In the beginning, in 2014, ABRAJI asked media lawyers and media organisations to provide them with details on the lawsuits filed against them. This work had some impact on the 2014 elections, but not everyone was willing or had time to cooperate.

So the team wanted to go further. In 2015 and 2016, ABRAJI developed scraping tools to parse the many court websites in Brazil for this sort of lawsuits. “As we improved our system, we started to count the cases not in dozens, but in thousands,” Tiago Mali said. “We cannot say that we were not surprised by this.”

“Since its publication, CTRL+X has not only provided insightful data on freedom of expression, but also made their data available for other media to report on the transparency issue. It was crucial that this data be of use for the 2016 election,” said Yolanda Ma, editor of Data Journalism China and jury member of the Data Journalism Awards competition.

 

Journalists who investigate politicians’ wrongdoings in Serbia face multiple threats

 


Screenshot of the story by KRIK investigating Serbia’s Defense Minister, Aleksandar Vulin

 

In September 2017, Serbia’s Defense Minister, Aleksandar Vulin has been at the heart of an investigation by KRIK, the Crime and Corruption Reporting Network in Serbia. He told the country’s anti-corruption agency that his wife’s aunt from Canada lent the couple more than €200,000 to buy their Belgrade apartment, but did not manage to submit convincing evidence to support his claim.

“Vulin’s political party then started publishing official statements against KRIK’s editor, and this for several days,” said Jelena Vasić, journalist at KRIK. They allegedly said that “KRIK’s editor Stevan Dojcinovic was a ‘drug addict who needs to be tested for drugs’, and accused him of being paid by foreigners to attack the minister.”

The political party also rudely attacked every public figure which stood for KRIK’s defence.

After this incident, EU institutions informed Belgrade that they will be tracking the behaviour of Serbia’s officials towards media organisations during the accession process.

But this is not an isolated incident for KRIK. Last July, the home of Dragana Peco, award-winning KRIK’s investigative reporter, was broken into, and her belongings turned over, Jelena Vasić explained alleging to foul play. “KRIK journalists have also received death threats on social media,” she said.

 



KRIK created the most comprehensive online database of assets of Serbian politicians

 

A Serbian database of politicians assets

 

KRIK won a Data Journalism Awards 2017 prize last June for creating the most comprehensive database of assets of Serbian politicians, which currently consists of property cards of all ministers of Serbian government and all Serbian presidential candidates running in the 2017 Elections.

The database was launched to help Serbian citizens to better understand who the people running their country are and promote greater transparency.

Each profile contains information about the apartments, houses, cars and companies of current ministers or presidential candidates, and details about how they came to possess them.

“What KRIK did with their database project went beyond simply opening data up for examination; they opened minds,”said Paul Radu, executive director of the Organized Crime and Corruption Reporting Project (OCCRP), also member of the Data Journalism Awards 2017 jury.

“Their work allowed people in Serbia, where open access to data is limited, to see what wealth their politicians had accumulated. The publication of the database sparked investigations by the Serbian Anti-Corruption Agency. At the same time, KRIK journalists were monitored and recorded, and the organisation subjected to smear campaigns. But they persevered in the name of public accountability and transparency.”

The Online Database of Assets of Serbian Politicians attracted a lot of attention. No other organisation in Serbian had ever gone to such depth to investigate this subject as KRIK did.

This database has contributed to higher government transparency and now, details on politicians that would otherwise be hidden are in the public domain.

 

Journalists in the USA also get their share of challenges

 

It is no secret that trying to enforce transparency from prominent figures is an uphill battle in the US, barely six month ago, the current President elusive tax returns were a hot topic. “We find that it varies a lot with who is in power and what agency we are looking at,” said Amita Kelly, digital editor for NPR.

“Some are much more transparent and have very detailed policy papers, for example, that can be picked apart. Our challenge in the 2016 election was that with the increasing use of digital and social media by campaigns and candidates, it was often difficult to parse what is truly a policy versus an opinion.”

Has Trump’s election changed the way journalists hold the powerful accountable in the USA?

Amita Kelly argued there have always been difficulties with getting to the center of what the government or corporations are doing:

“I think what changed during the Trump campaign was that his policy proposals or political stances evolved very much over the course of the campaign and his presidency,” Kelly said.

 

A fact-checking project on political debates in the USA

 



NPR’s politics team, with help from reporters and editors who cover national security, immigration, business, foreign policy and more, live annotated the debate between Trump and Clinton back in September 2016.

 

Kelly’s team won a Data Journalism Awards prize last June for their project Fact Check: Trump And Clinton Debate For The First Time, which was the culmination of their day-to-day fact-checking efforts, but on a largerscale due to its live aspect and the number of reporters involved.

“We relied a lot on our journalists’ body of expertise to fact check statements from the campaign and the President — either to confirm what they said or more often, counter things they said with correct information”, Kelly argued. “So it was less a matter of difficulty in finding the information, but more about what we do with the information that’s getting out there.”

Kennet Cukier, senior editor for digital at The Economist, and member of the Data Journalism Awards 2017 jury, said of the project:“In a world of fake news, one of the most important tasks of journalism is to respond to spin or outright lies with truth quickly and simply — and with sources.”

“NPR did a thoughtful, novel and effective job at checking both US presidential candidates’ statements. The outlet verified, criticised or enriched on candidates points in a way that marshalled data and facts. It shows how the ethos of journalism for truth can be embedded into code to create a new way to present news events with responsible criticism just alongside it.”

 

How do you face and tackle threats during such investigations?

 

All three organisations have systems in place to cope with attacks, intimidation or threats towards journalists.

KRIK has developed a system of defence in situations when they are publicly attacked or when there is a smear campaign against them. “Threats have never stopped us,” Jelena Vasić said.

“We immediately write to all our donors, partners, national and international journalists’ associations, and public figures to tell them what is happening and ask them to give us official statements. Then we publish all of those statements, one by one on our website, so our readers can see that we have the support of professionals and of the community.”

KRIK also frequently ask their readers on social media for financial support, using this kind of incidents to expand their crowdfunding community and show that people of Serbia are on their side. This is not without reminding us of ProPublica’s “We’re not shutting up” campaign last year.

“We have made a special page on our website where we record (in reverse chronology) every attack on KRIK,” Vasić added.

 

For additional security, they also have special procedures: journalists working on a story can only talk to their editor about it, KRIK staff also use Signal for telephone communications and encrypted emails.

Tiago Mali of ABRAJI pointed out that journalists facing threat shouldn’t do so on their own.

“It’s important that we unite to defend ourselves against them,” he said. “In Abraji, we monitor these threats and try to investigate aggressions against journalists. The spirit is: if you mess with one, you mess with all.”

The Brazilian organisation also has a project in place called Tim Lopes (named after a journalist that was killed in 2002) where journalists from all over Brazil investigate the deaths of other journalists.

NPR have a system in place to handle threats depending on the level. “We of course get a lot of social media threats that we have to choose whether to engage or not,” Amita Kelly said. “And some of our reporters felt threatened at campaign rallies, etc. But we are very lucky that it is not a persistent issue.”

 

How do you get hold of the data that your government or powerful individuals want to keep hidden?

 

For ABRAJI it all started with regularly scraping the judiciary system for lawsuits. “The problem is that there is no flag or anything structured in a lawsuit that tells you it is about censorship or content removal,” Tiago Mali said.

“So we have tried and improved different queries that get us closer to the lawsuits we are looking for. As we collect thousands of these lawsuits, we read every single one of them and sort and classify the ones related to the project. It’s a time-consuming process we automatised step by step.”

The team at ABRAJI now wants to work with machine learning for sorting and classifying the lawsuits. “We want to build an algorithm that makes everything automatically and we would use our time only to review these work” Mali said. “This would be a tremendous upgrade in efficiency but we still lack the funds to build this structure.”

For their database of assets of Serbian politicians, KRIK has used company, criminal, court, and financial records, but also land registry records, sales contracts, loan and mortgages contracts from Serbia and other countries such as Montenegro, Bosnia and Herzegovina, Croatia, Italy, Czech Republic (and even offshore zone — Delaware, UAE, and Cyprus).

“We have used FOI requests very often in this project,” Jelena Vasić said. “Major difficulties came from state institutions which stopped replying to our FOI requests, but at the same time they were revealing all details from those requests to politicians and pro-government media, which then used it in smear campaigns against KRIK.”

“In situations like this one, we talk to the Commissioner for Information of Public Importance and also write on our website and social media about the institutions that are not replying to our FOI requests. Despite all the efforts of the authorities to disable us from obtaining important information, we have managed to get to the majority of documents we needed.”

 

There is good impact, and there is bad impact

 

When investigating wrongdoing, trying to bring forward what is kept hidden or denouncing corruption, news teams aim for positive impact.

“Since the very beginning, we wanted to provide data so there could be more journalistic stories on how the politicians and judges are harming freedom of expression in Brazil,” Tiago Mali said.

“We managed to achieve this goal.”

Because Ctrl+X provided insightful data, freedom of expression, a subject normally ignored by Brazilian media, managed to made the news. At the end of the 2016 electoral campaign, more than 200 articles about politicians trying to hide information had been published in Brazilian media using the project’s data. All major Brazilian newspapers, relevant radios and a TV show ran stories on freedom of expression with their information.

Yet sometimes, an investigative project end up changing the law, and not necessarily for the better, as it was the case in Serbia:

“Because of our investigation, the Serbian Land Registry has changed the way of replying to FOI requests” Jelena Vasić said. “They have decided that every response from their office should get approval from the headquarters in Belgrade, which was not the case before.”

As for NPR, they’ve noticed a real hunger for fact checks and stories that seek the truth on government leaders. “Our debate fact check was the story with the highest traffic ever on npr.org with something like 20+ million views and people stayed on the story something like 20 minutes, which mean they actually read it,” Amita Kelly said.

 

What could be done to make the job of holding the powerful accountable easier for journalists?

 

Approve and enforce Freedom of Information Laws, that’s what Tiago Mali argues. “Here in Brazil, a big shift happened after the approval of our FOIA. When you don’t need to rely on the willingness of the powerful to give you information (because a law says so), everything becomes much easier.”

“I think it would be very useful if international institutions could react every time a reporter is exposed to public attacks, because here in Serbia our government is afraid of international pressure” Jelena Vasić added.

For Amita Kelly, it is definitely about pushing for more transparency all around, including laws such as the Freedom of Information Act they have in the U.S. where journalists can request government information. She also thinks news organisations should invest “in allowing reporters to get to know a beat”. Covering an area for a long time helps to develop invaluable sources and expertise.

 

Bonus: tools and resources used in investigative projects

 

During our Slack discussion, Tiago Mali of ABRAJI revealed they used Parsehub for the CTRL+X project. It is a tool that easily extracts data from any website.

“We have worked with a lot of high-end tools here, programming, etc. But, still, I think there is no faster way to organise the information you work hard to collect than a spreadsheet. Sometimes the spreadsheet has to be a bigger database, a SQL or something you need R to deal with. But still, being able to make queries and organise your thoughts is really important to the investigation.”

Jelena Vasić loves to use companies search website poslovna.rs (similar to Open Corporates) and also Facebook Graph.

“We used different online sources, and were searching through different databases: Orbis and Lexis databases containing millions of entries of companies worldwide that also contain information on shareholders, directors and subsidiaries of companies.

Vasić also pointed at different local business registries online in Serbia, Bosnia and Herzegovina, Montenegro, Czech Republic and local land registries in Serbia, Montenegro, Croatia.

Google Docs is simple but has been amazing for collaboration,” Amita Kelly added. “At one point we had up to 50 people across the network in one document commenting on a live transcript.

 


To see the full discussion, check out previous ones and take part in future ones, join the DJA community on Slack!

Over the past six years, the Global Editors Network has organised the Data Journalism Awards competition to celebrate and credit outstanding work in the field of data-driven journalism worldwide. To see the full list of winners, read about the categories, join the competition yourself, go to our website.



marianne-bouchartMarianne Bouchart is the founder and director of HEI-DA, a nonprofit organisation promoting news innovation, the future of data journalism and open data. She runs data journalism programmes in various regions around the world as well as HEI-DA’s Sensor Journalism Toolkit project and manages the Data Journalism Awards competition.

Before launching HEI-DA, Marianne spent 10 years in London where she worked as a web producer, data journalism and graphics editor for Bloomberg News, amongst others. She created the Data Journalism Blog in 2011 and gives lectures at journalism schools, in the UK and in France.