Trust, Fake News and the future of journalism

Looking back on some tumultuous years in journalism, including Donald Trump’s campaign against fake news and the rise of the digital area, we asked Jimmy Wales, founder of Wikipedia and WikiTribune, five quick questions about his view on the current state of trust in journalism.

 

We interviewed Jimmy Wales at the GEN Summit 2018 in Lisbon where he did a session on trust with Matt Kelly (Archant Group) and Ed Williams (Edelman UK) © Rainer Mirau for GEN
 

 

How would you describe the state of trust in journalism?

Journalism has been under huge financial pressure for a few years and somehow lost its way. However, trust is now starting to get back after the public realized that quality journalism matters.

 

Access to Wikipedia is free. Does that mean that trust is free?

Trust is about honesty and this does not really cost anything. The other way round, money can corrupt honesty.

 

How do you go about Fake News?

We have to manage them with trust. In the mainstream and quality media we’ve got to do all things right and share transcripts, audios, … things to prove what we are saying. Only this way we can restore trust and show the people that we are not simply making something up.

 

How do you verify data for Wikipedia?

We verify the data with very old-fashioned techniques, like transcripts, interviews and documents. All of this is very old-fashioned journalism. If you look at later techniques, data journalism, for instance, is a very important tool in journalism of the modern world. So much can be learned from large sets of data, particularly financial contributions to politicians. It is a rich source of very good information.

 

How do you see the future of journalism?

I am optimistic about journalism in the future because it is a core function in society. And even if the transition from digital business models has been very difficult, I do not think that the public does not care about the truth anymore. They do. We just have to find models to make it work!

 

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Michaela Gruber is a journalism and media management student, based in Vienna, Austria. During her studies she spent a semester abroad in France, where she started working for HEI-DA.

As the company’s communication officer, she is in charge of the Data Journalism Blog and several social media activities. This year, Michaela was HEI-DA’s editor covering the Data Journalism Awards in Lisbon, Portugal.

 

 

Tips on local data journalism from Alan Renwick

Newspapers which tend to primarily focus on local issues, often represent the majority of media outlets in each country’s media landscape. They deliver a number of important journalistic functions, like holding local authorities to account, supporting democratic and civic needs and shaping the overall reputation of journalism. Thanks to their powerful human interest reporting, they shine a spotlight on local issues and offer unique local content that is is not necessarily found elsewhere.

 


As co-funder of the startup Urbs Media and director of the RADAR project, Alan Renwick has over 30 years experience in local, national and international news industries. Within his work, he provides local newsrooms with a regular feed of data-driven stories and scale up local news production by combining the work of journalists and Artificial Intelligence.

 

 

In this interview, he tells us why local journalists should not hesitate to use data within their work and how to turn national datasets into local content:

 

How can local journalists use data in their reporting?

There are many things that local journalists can do with data journalism. They already have their own data journalism efforts, like their own datasets, they are investigating their own local issues, and they have a lot of unique content. It is all just starting on a national level with national datasets but after that, local journalists have to unlock the fact that these datasets have got a lot of local information within them and can be used complementary to anything else they are doing. So they might put some local interviews around it or make some analysis and build it up in a much more colourful, local story.

 

The Bureau Local is a collaborative, investigative journalism network in the UK which stands as a great example of how data journalism is thriving

 

You are the director of RADAR (Reports And Data And Robots), a news agency that combines humans and machines to deliver data-based news stories to local newsrooms. How can local journalists make use of those stories?

What we do with RADAR is to hopefully give those local newsrooms skills and raw material to work with. This comes in form of a regular feed of data- driven stories for that they might normally not have the time and resources to look at. The reason for that is that most of them have quite a high philosophy behind them and there is a high number of data stories around.

So, what we actually do then is to take national datasets and do a fusion of local and national journalism. That means, we try to understand the generics of national data and see how these stories might vary for every local area. Then we look at the different variables to figure out how many different outcomes there might be and write story templates for every eventuality. For instance, we might put the numbers from a spreadsheet into a sentence such as “since w, house prices in x have increased by y/fallen by z/stayed the same”. This means that if you have 500 rules you might have 500 different stories. From the same data you might have different types of stories with different headlines and different content.

 

RADAR is a collaboration between the Press Association and Urbs Media that delivers news stories to local media, combining the work of humans and machines.

 

What is your top advice for local journalists who want to work with data?

Many local newsrooms want to write very few numbers into their stories even if all the sources come from data. That is why my advice for local journalists is to treat data journalism just like any other source. There might be a broader, softer story that comes from it. They just have to understand the genesis of it, where it comes from, then integrate it, be sure of what it means, what the facts are and then create the story in their very traditional way.

Learn the data skills but as you use them, use them in the way that you would use any other source.

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Michaela Gruber is a journalism and media management student, based in Vienna, Austria. During her studies she spent a semester abroad in France, where she started working for HEI-DA.

As the company’s communication officer, she is in charge of the Data Journalism Blog and several social media activities. This year, Michaela was HEI-DA’s editor covering the Data Journalism Awards in Lisbon, Portugal.

 

Tips on news product prototypes from Bella Hurrell

We asked Bella Hurrell, Deputy Editor of the BBC News Visual Journalism Team, about what makes a good product prototype and what are the challenges that you have to face when building them. In this video, she shares with us the tools that the BBC uses for building their prototypes and what their vision is.

Build quick and dirty prototypes that you can test with people. Don’t invest huge amounts of time in something if you are not that sure about it […] and give up when it is a good time to do it!

 

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Michaela Gruber is a journalism and media management student, based in Vienna, Austria. During her studies she spent a semester abroad in France, where she started working for HEI-DA.

As the company’s communication officer, she is in charge of the Data Journalism Blog and several social media activities. This year, Michaela was HEI-DA’s editor covering the Data Journalism Awards in Lisbon, Portugal.

 

Tips on building chat bots from Quartz’s John Keefe

When talking to John Keefe, Product Manager & Bot Developer at Quartz, he encourages the journalism community to experiment with chat bots and try different tools. In this video, he shares some tips and tricks with us on what platforms to use and how journalists can build chat bots themselves.

Building chat bots is not as hard as it seems!
I would say, just give it a try!

 

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Michaela Gruber is a journalism and media management student, based in Vienna, Austria. During her studies she spent a semester abroad in France, where she started working for HEI-DA.

As the company’s communication officer, she is in charge of the Data Journalism Blog and several social media activities. This year, Michaela was HEI-DA’s editor covering the Data Journalism Awards in Lisbon, Portugal.

 

Tips on cross-border collaborations from Mar Cabra

We got to talk to Mar Cabra, the former head of Data & Technology at the International Consortium of Investigative Journalists (ICIJ), about what makes a great cross-border collaboration. In this video, she shares with us some great tips for news teams around the world, big or small, who’d like to pump up their data investigation skills.

 

When collaborating, especially when it’s remote, includes data or goes across borders, you should think hard about what technology you’re going to use and what is the set of tools. Establish that from the beginning so that they are no complications later.

Most importantly, you need people that know how to collaborate and that are happy sharing. If not, your collaboration will fail.

Try to connect with people who have done collaborations before, do not re-invent the wheel.

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Michaela Gruber is a journalism and media management student, based in Vienna, Austria. During her studies she spent a semester abroad in France, where she started working for HEI-DA.

As the company’s communication officer, she is in charge of the Data Journalism Blog and several social media activities. This year, Michaela was HEI-DA’s editor covering the Data Journalism Awards in Lisbon, Portugal.

 

Empowering women in media and data journalism

The deadline to apply to the Data Journalism Awards 2018 is fast approaching. As data journalists from around the world have just one week to gather their best data-driven work, we met with Mariana Santos, founder and co-director of Chicas Poderosas, also member of the competition jury. Her vision inspires women in Latin America and around the world. In this interview, she tells us how she wants to share her accomplishments as an innovator in digital media with other women, and to help them succeed as new media leaders.

 

 

Chicas Poderosas has been “changing the face of media, one woman at a time” since 2013. What specific skills do you think are most important for women who work in the media industry?

 

Depending very much in what community women work in, they need specific skills.

If we talk about Bolivia, for example, the women with whom we are working there are mainly radio communicators. They have very basic access to the internet. That is why we first trained them on the basics of how to use Facebook and Twitter, such as creating groups, using hashtags, replying and doing reports with video, audio and text. Then, we organised a 3-day hackathon to show them how to make their own audio podcast.

In other countries like Colombia, for instance, we put the emphasis on fact-checking training to show how to track social media networks, and also how to understand trends. Especially in times of elections, fact-checking is important there, as fake news have been especially spread all around social networks, and it is essential in journalism generally. 

An other skill we train women on is data-scraping, to understand how to work with data. We also organise data visualisation workshops, which are more about design and conceptualization of user journeys, as well as work on interfaces.

So, from technology, arts and journalism – everything comes together. Depending on the community we work in, we change the technology that we are using.

 

 

Why is there a difference between women and men in the media industry?

 

When you look at the development departments within newsrooms, most of them are made of men. I worked at the Guardian from 2010 to 2013, and in a group of 200 people working on development, we were only three women. You can find the same situation in Latin America, only it’s even worse. 

We want to change this! We want women to grab their future with their own hands, and understand that technology is not only the future but also the present.

In most training programmes, as soon as it is about technology, there will be way more men than women. Creating Chicas Poderosas, which has “women” (chicas) in its name, automatically attracted more women. We’ve created a space where they feel comfortable, where it’s ok to fail, where they are not being judged, and where they can share their doubts, questions and insecurities. A space where they can grow together and be better together.

 

 

One thing you are focusing on is the situation of women in politics and how to use data journalism to improve gender inequality in Central American governments. As you are mainly working in Brazil, can you give us an insight on what the situation is like for women over there?

 

From what I know, and what I’ve been feeling, the political situation is very poor. Right now you have extremely corrupted candidates who run for president. Even the former president tries to get into office again, even though he is about to be put in jail.

The situation for women is worse. They have quotas for the number of women to represent congress, parliament, and the government. But in most cases, they are actually either daughters, wifes, sisters or cousins of male presidents or males who are somehow connected to the political scheme. Therefore, they do whatever they are told to do.

That’s not what we need! With Chicas Poderosas we start a discussion in politics, asking questions such as “what does it take for women to be taken seriously in politics?”

 

 

What are you looking for when voting for projects from the Data Journalism Awards competition? 

 

Data journalism for me is the core of journalism and that is what I began with. What I look for are proposals that are varied, not laid back safe, not copying the great examples that are already there, projects that come up with something new. Engage me in the story! That’s the main thing.

Regardless of the story, I want to see variety. See out of the box, go out of your comfort zone and show me what you can do!

 

Besides teaching digital and new media skills, Chicas Poderosas offers leadership training. Why is it especially important for women?

 

In Latin America I see that women have a tendency to block themselves, to not believe that they can do the things they want to do, and therefore, there is a lack of women leaders. Why does a woman has to become more man-like in order to be seen as a leader? This is something we really want to change!

Women have so many skills and qualities that they often don’t use. This is really sad because they have characteristics that are really useful and needed for leadership. 

 

What are your main pieces of advice for women in media leadership positions? 

 

I’ve been meeting amazing women leaders in the media and we are trying to bring them to the New Ventures Lab that we have started a few weeks ago in St. Paulo, Brazil. We need more women role models in Latin America! We bring them to share their stories and insecurities, and we are trying to teach them to be very goal-driven.

As an entrepreneur you need to not only want but also to be able to do it. To run the extra mile and give a little bit more. Because you may have a full-time job, or a family to take care of. 

In order to strive within new media you have to think outside of the box, because journalism has changed – print is dying, digital is here to stay. We cannot think the same way as we did in print days. The same thing goes for leadership. Whether you are a man or a woman, use all your strengths and your skills in your execution of leadership.

 

 

What upcoming projects do you have at Chicas Poderosas?

 

The next big goal is to finish our New Ventures Lab initiative on 25 May 2018, in St Paulo, Brazil, at Google’s offices. There, ten teams will have to reach their full potential, launch and run their own businesses.

What we want to do is to have a very solid structure in terms of investigative media training. This is our main core and it will always be.

We created a network that gathers people from 11 countries in Latin America, and supports women. 

 

Finally, what are your favourite programmes to create graphics with?

 

I love making illustrations with Illustrator and animating everything in After Effects. Sometimes I like using stop-motion as well but that’s a little bit more crafty and handmade: you draw, you keep the paper, you lay it on any surface you have and take a picture of every movement you want to create. That makes a really crafty animation. It’s very time consuming but, when you don’t give me any time limitation, that’s what I love doing the most.

 



Michaela Gruber is a journalism and media management student, based in Vienna, Austria. During her studies she spent a semester abroad in France, where she started working for HEI-DA.

As the company’s communication officer, she is in charge of the Data Journalism Blog and several social media activities. This year, Michaela will also be HEI-DA’s editor covering the Data Journalism Awards in Lisbon, Portugal.